In addition to being a true masterpiece in terms of lettering design, Univers also introduced a system of classification and recognisability that was revolutionary at that time: the two-digit classification system.
Up until then, the font nomenclature system included, in addition to the name, the weight and width, all in the typeface’s original language. By way of example, in Germany a semi bold italic was named “halbfett kursiv”, in France a bold typeface was called “gras”, while in Italy it was “grassetto” or “neretto” and so forth. This system gave rise to – and still does today – a lot of misunderstandings regarding a font’s identification. An emblematic example is the difference between “thin” and “ultra light” which does not immediately clarify which weight is the lightest.